Victor Emmanuel II Monument

"๐˜๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฐ ๐˜™๐˜ฐ๐˜ฎ๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ช๐˜ด๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ค๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ต๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ฅ๐˜ฆ . . . ๐˜™๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ๐˜ด ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข๐˜ฏ ๐˜ข๐˜ต๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ฅ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ช๐˜ด ๐˜ด๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ต๐˜ญ๐˜บ ๐˜™๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ . . . ๐˜ฏ๐˜ฐ๐˜ต ๐˜ข๐˜ณ๐˜ณ๐˜ฐ๐˜จ๐˜ข๐˜ฏ๐˜ต, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฏ๐˜ฐ๐˜ต ๐˜ข๐˜ณ๐˜ณ๐˜ฐ๐˜จ๐˜ข๐˜ฏ๐˜ต ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ฎ๐˜ฆ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ."

My aunt said this to me of her last trip to Rome. Iโ€™ve thought a lot about this and wondered what it must be like to live permanently in a place that all the world feels belongs to the history of civilization. While I stand with my phone gawking at the Colosseum the Roman sitting at the bus stop doesnโ€™t even glance at it. He knows itโ€™s there and thatโ€™s enough. Same goes for every building everywhere here, you see a fragment of Ancient Rome in a wall or an apartment building with broken pillars strewn on its grounds and this somehow feels to me like it needs documenting and to the Roman it's just always been there. I think what my aunt was getting at was the difference between a modern Roman and all of us. They canโ€™t forever be in awe of their surroundings and yet they know that we all came to do exactly that. โฃ

โ€œ๐˜›๐˜ฐ ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ข ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ฆ๐˜ฏ๐˜ต ๐˜ด๐˜ต๐˜ข๐˜ต๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฐ๐˜ณ ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ฆ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ข๐˜ธ๐˜ข๐˜ณ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ด๐˜ด ๐˜ช๐˜ฏ ๐˜™๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฆ ๐˜ต๐˜ฐ ๐˜จ๐˜ฐ ๐˜ฎ๐˜ข๐˜ฅโ€

โ€” H.V. Morton

A Traveler in Rome, 1957โฃ

Today I went to the Monumento Nazionale a Vittorio Emanuele II. The gleaming white, way-too-big and monstrously clunky monument to the short lived Italian Kingdom (1861-1946). Partly my distaste for the building is that it is frankly not old enough, but more than that it abuts forcefully onto Capitoline Hill nudging the more ancient sites to one side. And then there is the problem of what this monument covers up, the Temple of Jupiter for one, or what was left of it. It also stands for my least favorite part of Roman history, where they turned nationalistic and ultimately Fascists. โฃ

But I had never been inside before, and I could have lived happily without it but I read of a new-ish elevator that takes you to the top of the monument and there you can see Ancient Rome from a vantage point no one had before. So thatโ€™s why I went and these are my pictures from way up there.